What does a grip do?
Grips make sure that what the director and director of photography (DoP) want to achieve on a shoot is possible. While directors think of the artistry of the shots, grips work out how they are going to move the cameras to make that happen.
Before filming starts, grips break down the script and work out with the DoP what equipment will be needed to support the cameras for each scene. They go on recces to check out the location. If filming’s in an extreme place, like the Sahara desert or the top of Everest, they might need to adapt the equipment for the camera manoeuvres. They hire the equipment, recruit the crew and manage the budget.
On shooting days, grips get to set early to set up the equipment. As soon as the camera starts to roll, they anticipate all the camera moves and deal with the unexpected or directors changing their minds. Working closely with the DoP, they find solutions on the hoof while thinking about the preparations required for the next camera setup. At the end of each day's shooting, grips oversee the packing up of all camera-support equipment.
When filming in public spaces key grips will play a major role keeping the shoot safe. They will often liaise directly with hire companies, event managers and the police to ensure the public and the cameras aren’t harmed.
What’s a grip good at?
- Knowledge of cameras and supports: understand the technical requirements of cameras and of the baseplates, dollies, cranes and jib arms on which they are mounted
- Innovation: think quickly of practical solution to problems, adapt equipment to particular environments
- Communication: listen to the director of photography, be able to explain and share information with actors and the rest of the crew, especially when under pressure
- Organisation: schedule the equipment hire and recruiting of crew
- Lifting: know how to lift safely, have stamina